The right lenses
for the right tone.
Anything is possible with this 6 lens set. Make an entire movie with this set of Super 35 set of lenses. They are super fast at T1. 4 shooting at night where most lenses are unable to go...
18mm (T1.3)
24mm (T1.3)
35mm (T1.3)
50mm (T1.3)
75mm (T1.4)
100mm (T1.6)
Optica Elite S35
Lenses T1.3
6 Prime Lens Set
COOKE 5/i
Cooke 5/i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. Cooke 5/i Prime Lenses were designed and developed in close technical collaboration with industry professionals.
ARRI Fujinon Alura Zooms
ARRI Fujinon Alura 18-80 T2.6
Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size and weight.
ARRI Fujinon Alura 45-120 T2.6
All Alura Zooms' color characteristics, as well as their handling, are matched to existing prime lenses in ARRI's outstanding repertoire
Elite Anamorphic 9 Lens Set
Welcome to the flagship of anamorphic motion picture lenses. With NINE focal lengths & color matched lenses in the set, all shots are now possible. These lens yield beautiful bokeh and the classic anamorphic horizontal flares. All lens are front element anamorphic creating the signature of the great movies of all time... Each lens comes in its own flight case with the necessary support.
Angénieux Optimo Style Zooms 16-40 & 30-76 T2.8
Cinematic Look - No breathing with superior controlled distortion - T2.8 constant across entire 30-76mm zoom range
Color matched to the Cooke & Elite lenses - Truly a Variable Prime lens optically in design
This lens WILL work on machanical shutter cameras such as the ARRI ALEXA STUDIO
The Angénieux Optimo Style 30-76 celebrates over 75 years of defining a look in the motion picture industry...
Only 4.2 lbs (1.92 kg) - Aperture: f/2.6 - T2.8 - Zoom ratio: 2.5X - Length: 186 mm
MOD: 2 ft - 0.6 m - Image coverage: S35 + 31.4mm diagonal
COOKE Rear Ana. Zoom 40-120
The classic Cooke Lens coatings combined with a rear anamorphic element for a vintage look. This lens yields sharp images with beautiful roll off. Wide focal range of 40mm to 200mm T4.
LOMO Front Element
Perhaps one of the most elusive lenses to find in the traditional anamorphic lens category. This lens yields the desired oval bokeh and anamorphic lens flares of a big screen movie.
ZEISS Super Speeds T1.3
The lenses are no longer manufactured perhaps the most demanded set of vintage primes on the planet...The favorite lenses of a cinematographer.
Super 35: 18mm, 25mm, 35mm, 50mm & 85mm all T1.3
-Lightweight lenses
-Markings in both meters & feet
-Works great in all lighting conditions
- T1.3 with a 7 blade iris
-Aperture goes as low as T16