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Elite Anamorphic 9 Lens Set (T2.1 MRK V Series)

Welcome to the flagship of anamorphic motion picture lenses. With NINE focal lengths & color matched lenses in the set, all shots are now possible. These lens yield beautiful bokeh and the classic anamorphic horizontal flares. All lens are front element anamorphic creating the signature of the great movies of all time... Each lens comes in its own flight case with the necessary support.

24.5mm (T2.1)
32mm (T2.1)
40mm (T2.1)
50mm (T2.1)
75mm (T2.1)


100mm (T2.1)

135mm (T2.5)

180mm (T2.8)

250mm (T3)

COOKE 5/i

Cooke 5/i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. Cooke 5/i Prime Lenses were designed and developed in close technical collaboration with industry professionals.

ARRI Fujinon Alura 18-80 T2.6

ARRI Fujinon Alura 45-120 T2.6

Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size and weight.

All Alura Zooms' color characteristics, as well as their handling, are matched to existing prime lenses in ARRI's outstanding repertoire

Vintage Prime & Zoom Lenses

ZEISS Super Speeds T1.3

The lenses are no longer manufactured  perhaps the most demanded set of vintage primes on the planet...The favorite lenses of a cinematographer.
Super 35: 18mm, 25mm, 35mm, 50mm & 85mm

"It's absolutely essential that I get a sharp image every time, and these lenses have never let me down."

COOKE Rear Anamorphic Zoom 40-120

LOMO Front Element T3.5

The classic Cooke Lens coatings combined with a rear anamorphic element for a vintage look. This lens yields sharp images with beautiful roll off. Wide focal range of 40mm to 200mm T4.

Perhaps one of the most elusive lenses to find in the traditional anamorphic lens category. This lens yields the desired oval bokeh and anamorphic lens flares of a big screen movie.

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